Saturday, 15 December 2012

The Shoulders of a Giant Dung Heap. (chapter 3, Part 5)


                                                                             
                                                                              5.

Telling the truth can lead to Terror. We have all fallen in love with a technology that allows us to reach the epitome of this terror;  the mob. Prior to the internet age, only a mere ninety-nine percent of a mere ninety-nine percent of the planet was populated. That one Twin-Spirit remains to recall what the actual origins of that terror was, is amazing.

“We are talking about an age before humankind reached adulthood”, the terror was in her/his old cataract clouded eyes, “there at our genesis, way before the vulture-like scramble for words and philosophies”, seated upon a rock overlooking the Southern African plains, superior ruler, judge, Caliphate, yet none of these; two beings, both man and woman in one form, yet neither. Chewing on a root, face towards the incoming sun’s rays- ‘ah’ s/he click-talked’. ‘This is good’. The majestic palm-leaf  strands of her/his headpiece reached monstrous heights and spread out ocean-like beneath her/him, when s/he talked of “those who now make up a remarkable number who now populate the earth sent away, then, individually, as outcasts, their skin that could take no pigmentation, and too watery irises, threat to the hunt, harried to the boundaries of each early settlement and left to die”. S/he coughed “Ah, petroleum in the lungs, uranium in the hips… tske… and fracking in the bones…” s/he clicked. "Look how this outcasts have survived the rigors of their banishment, and how noble they now stand. A long time I still see one or two standing in a field, trying to return’. The old wo/man laughed. “ “oh”, she clicked “they bring things, things we have no use for, gifts made of what they have found along the way, through time, cloth, beads, things that make a lot of noise; we rejected them all”.

“It is since they have been angry these children of outcast children, they have begun to bring terror. Naughty children destroying the past, very very naughty children! They crowd together but they always will carry the memory of standing alone…this is the trouble, tske, you cannot buy your way into a group that has thrown you out.”
The ancient Kosa wo/man spat out the root juice on to a patch of red dust, parting the leaf fronds of her gargantuan headdress. ‘Eh, I am very disappointed, all the gifts, they pile up like a giant dung heap and the whole won’t melt, we will have to start all over again…tske…next time the imperfect will not be getting very far.” Mo/Father Earth clicked.

This is the extraordinary dream Anthony Christ-Jones, founder of the Stuck-up Artists, had the night black artist Steve MacQueen won the Turner Prize a mere year after Chris Ofili’s success. That same evening, to Christ-Jones’ horror the two names also came up, conjoined, in one of the questions on Who Wants to be a Millionaire? Immediately after, to really put the boot in, the question, ‘Who wrote the Principia Tapioca?’, was correctly answered as ‘B: Fatima Whitbread’. What if, since childhood Christ-Jones had been out-and-out lied to and his crisp and polished sentences and up-bringing were a charade? We will have to delve into his nightmarish dreams and visions a little more.

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