2.
NO BLACKS!
NO IRISH!
NO MUDDY BOOTS!
Notice in the window of the Welcome Arms Public House
A cavernous
Beer Hall, a windowless bunker, a substitute house where young and old, kept
out of sight, slaves to industrious side-show
charlatans. “Variously Flavoured Vapours of Ethanol!”
On wooden banquettes the
men and women bowed, too sozzled to realize, in the still, silent penumbra of the
County Beer Hall, that the 1824 Vagrancy Act is being re-instated for the Great Olympic
Facade to keep them off of the streets, the gravel-voiced toasts of an empire that has long croaked
its last, some toasts still veering dangerously toward pre-war and revealing
more than the odd Black Shirt among the finger-food.
Bar staff
double as benevolent bouncers as the odd regular is ejected through the double-doors,
for dozing ‘Come back tomorrow George!’.
Foreigners and strangers are set upon viciously; at this level of evolution,
ancient blood-feuds, watered-down cheap booze, the knee-jerk hatred of the ‘wrong
kind’ surface in the catacomb-like unloveliness of the Beer Hall shut
out from the apparent multi-culturalism outside.
The County
Beer Hall remains the polar opposite of
bright; locked in a mist of sunless murk with only the cloven-hoof hops-stained
sepia beer from unwashed pumps to strip the lining off the stomach and
loosen the bowels, the 'denizens of his shivering realm' are indeed sick in soul
and limb; life under the reign of the Weather-Vain King is reduced to this.
The atomized
company of young and old, unhappy in their beer instantly clots the life-blood of one
who enters the County Beer Hall,
dragged beneath an undertow of gloom. Devoid of music or any other distractions,
above the ossified bloodless wraiths of the crowning-glory of the industrial
age, hangs a murderous cloud of resentment.
On a day of a
seamless week in a featureless year the shadows of Swen Gnillor and Swen
Gnikaerb creep along the walls of every Beer Hall in every county and crouch,
like programmed death; begetter of hate, black as the masking tape that restricts
all but one Channel in the dumb finality of an Old People’s Home.
Not so long
ago Swen was a welcomed guest into every abode bringing tales of far-flung lands and the chandelier sparkle of Dance Halls, but now- as Swen Gnillor and Swen Knikaerb install themselves permanently
and stick fast to the fabric and structure under which the down-beat denizens
of the Beer Halls cower -The Weather-Vain King, who has been expensively
schooled in the art of setting the proverbial Cain against Abel for hapless cronyism - bleats erratic hourly edicts, whispered him by
his worm-tongued spin-doctors, and casts fear upon the realm with skaldic breath.
Prior to the
insidious arrival of Swen Gnillor and Swen Gnikaerb it was not unheard to hear tales of a far-flung Hall, in time out of mind, in which everyone,
in a fit of drunken peak, had slaughtered each other. England’s first epic Beowulf records the nightly visitations of the twin monstrous outcasts, the malformed giant Grendel
and his vengeful Mother called to the Beer Hall out of a dark slumber,
clarion-like from their primeaval marsh-exile tormented and frenzied by the
glow-worm of distant merriment and mirth.
The tapestry of allegory is indeed thin to thread-bare and, as it dawns on a nation that, once again the unseen monster had returned; the monster that brought murder, manslaughter, outrage and carnage to the County Beer-Halls in this Age of Reason came, not from the insidious evil of Swen Gnillor and Swen Gnikaerb nor from any allegorical or mythical beast, but from the bankrupt souls within. With the coming of night, as Beerwolf rose in the Halls and the sneers ran, a foaming vicious pack behind a snide hunting horn, the Betting-Shop Frog Kings howled in muted pain; the madness took hold.
As of blasts that save outer walls but leave everything within splintered and shattered, thus was the outrage of the greedily rent limbs of the never-thirst-slaked. The previous night’s table-boasts now turned to national mourning.
The tapestry of allegory is indeed thin to thread-bare and, as it dawns on a nation that, once again the unseen monster had returned; the monster that brought murder, manslaughter, outrage and carnage to the County Beer-Halls in this Age of Reason came, not from the insidious evil of Swen Gnillor and Swen Gnikaerb nor from any allegorical or mythical beast, but from the bankrupt souls within. W
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